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Need Advice?Please call us toll free at 855-269-0474 for a free consultation regarding Focusrite RedNet products. We'll gladly help you narrow down the choices to get the ideal hardware for your setup. Whether you are a studio, venue, school, or church, give us a call to see how we can make RedNet work for you.
This is a b-stock/used Focusrite RedNet 4 Dante Interface with 8 Focusrite 'RedNet' mic preamps that provide up to 119dB of dynamic range and are MIDI controllable. This unit comes with the full manufacturer warranty.
Condition:This is a B-Stock open box/used item with full manufacturer warranty, but may not include the original box or packaging. B Stock items may have minor blemishes, many were used for short manufacturer demonstrations. All B stock items work as intended. The pictures in this listing are of the actual b-stock unit for sale.
What We Like:RedNet is Focusrite’s flagship range of modular Ethernet-networked audio interfaces that harnesses the power of Audinate’s tried and tested Dante digital audio networking system to bring studio quality sound to any modern audio application. Fundamentally RedNet is an extremely scalable, near zero latency audio distribution system that can be used to expand I/O channel count, interface digital components, and/or bridge between Pro Tools|HD or MADI and the Dante audio network.
Product Details:RedNet 4 adds eight of the latest remote-controlled Focusrite mic preamps / line inputs to your RedNet system through a single Ethernet cable. With two selectable DI’s, RedNet 4 provides an effective range of analogue inputs for your system. The unit includes Focusrite’s world-class precision A-D conversion. Mic/Line/DI selection, gain, phantom power, HPF and metering are also accessible from the front panel. The benefit of remote control microphone pre-amp gain is that you can keep the mic pre close to the source (so the analogue cable run is minimal) while still setting gain stages from the control room.
Pixel Pro Audio is an authorized Focusrite RedNet dealer.
0 dB; 8 to 63 dB in 1 dB steps
Electronically balanced, Zin = 2.4 kohms
Max. input level
+16 ±0.5 dB; min. gain for 0 dBFS, Rs = 150 ohms, pad out
Min. input level
-47 ±0.5 dB; max. gain for 0 dBFS, Rs = 150 ohms, pad out
20 Hz – 55 kHz ±0.1 dB (-3 dB @ 80 kHz, fs = 192 kHz); Rs = 150 ohms
< 0.0007% @ -1 dBFS; +15 dBu input, Rs = 150 ohms, 20 Hz – 22 kHz
EIN -128 dB; 60 dB gain, Rs = 150 ohms, 20 Hz – 22 kHz
48 V, independently switchable per-channel
119 dB ‘A’-weighted; Rs = 150 ohms
-12 to 42 dB in 1 dB steps
+24 ±0.5 dB; min. gain for 0 dBFS
-30 ±0.5 dB; max. gain for 0 dBFS
20 Hz – 20 kHz ±0.1 dB
﹤ 0.003% @ -1 dBFS; +23 dBu input, min.gain, 20 Hz – 22 kHz
117 dB ‘A’-weighted
Instrument Inputs (Inputs 1 & 2 only)
+14 to 68 dB in 1 dB steps
+10 ±0.5 dB; min. gain for 0 dBFS
-44 ±0.5 dB; max. gain for 0 dBFS, pad out
﹤ 0.001% @ -1 dBFS; +9 dBu input, min.gain, 20 Hz – 22 kHz
112 dB ‘A’-weighted
Analogue High-Pass Filters
Independently switchable per-channel
-6 dB @ 65 ±3 Hz, 12 dB/octave
Input to input
﹤-80 dB (all other channels at 0 dBFS)
Supported sample rates
44.1 / 48 / 88.2 / 96 / 192 kHz
Internal or from network master device
Internal, Universal type, consumption 30 VA
Front Panel Indicators
Yellow x 5
Channel 1/2 source
Yellow x 3 (mic/line/inst)
Green x 8 (-42 dBFS); Yellow x 8 (-6 dBFS); Red x 8 (overload)
Channel select buttons
Channel function controls
Input source, HPF, phantom power, Gain encoder
Colour OLED; channel number, input source, gain
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